Back from a trip to London centred around seeing The Book of Mormon - uuuuuuummmh I felt that I was part of the very meta experience - meanwhile I checked out a few shows - Losing the Compass curated by Scott Cameron Weaver and Mathieu Paris at White Cube was beautifully put together - nothing new but it had some really good examples and its always interesting to find oneself wandering through the area around Bond Street at this time of the year, an artwork in itself. Jon Rafman at the Zabludowicz collection is truly the most extraordinary exhibition I have seen in a while - I haven't felt so wonderfully assaulted in a long time http://www.zabludowiczcollection.com/visit/london. The Kibbo Kift show at the Whitechapel will inform the collection of capes I am in the middle of making with their quite odd clothing/costume/uniform. If you're a fan of data, both its exploitation by artists and explanation by designers and scientists you might not learn anything new from Big Bang Data at Somerset house but it is a show full of information! The initial work by Ryoji Ikeda was a smaller but perfectly formed version of the installation I saw at Brewer st Car park - it's disturbingly wondrous. Elsewhere in the cavernous labyrinthine space there is also the beautifully contemplative One And All - an exhibition about the coast and the sea. The Calder at Tate Modern is quite beautiful and just about elevates him from maker of jaunty mobiles (just). At Tate Britain the haunting work by Susan Philipsz: War Damaged Musical Instruments is truly moving and Auerbach - well he did use an awful lot of paint painting the same subjects over and over and over again - but I guess that's the point. I also popped into the National to spend an hour with a few of my favourite paintings - Swabian's portrait of a woman of the Hofer Family being one - the glorious detail of the cloth gives a flavour of what and how people wore clothes, right down to the threads used to gather the cloth in a headdress or the knot in a ribbon. London - the most exciting city in the world?
just finishing off the last presentations of the year (but not the first term as we are working within a new (another) structure) for the BA Textiles course at NUA - its all about professional practice and they are delivered through workshops (so you had to be there) but you get a flavour of what goes on there. It's an important element of becoming professional, I wish somebody had of considered it professional or just appropriate to of taught me it at College, although most of it has been created in the years since.