Showing posts with label artistsbooks. Show all posts
Showing posts with label artistsbooks. Show all posts

Friday, 16 May 2025

itsnicetobetoldyouareokay


It’s been a busy couple of days - the weekend workshop at Leicester Printworks was special – the space is an oasis of activity in the cultural quarter which was oddly calm – huge post-industrial buildings away from the city centre but just close enough. The people who work there were helpful and understanding, all creative people in their own right. The workshop participants were great company and made some interesting bookwork’s. I developed a new hybrid fold, whilst responding to a person’s investigation of experimental book structures, if I lived locally, I would be a part of this. The journey to Inverness from Suffolk by train is a mammoth undertaking….but remarkably everything went well – connections and wi-fi (no complaints, (in-joke with my parents). Scotland really is another country, especially so far north, and yet there is even more of it further ‘up’. The place feels ‘other’, every single person I met was friendly and super helpful. I can understand the call for devolution and annoyance at the control held by Westminster, a place literally in another country. I was invited to talk at the Scottish Artist Network summit, the theme being around power and energy, my residency at Sizewell seems to sum that up. I am not an activist, or even an artist/activist in what might be considered a ‘traditional’ sense, but I think my activism if I have any is positioned in a broader, more socially engaged way. I guess the point or intention of what I do is to enable or encourage thought, creating a space to consider, or reconsider an issue. A moment to contemplate. It was a great opportunity and interesting to be in Inverness talking about the SZC residency - meeting a lot of artist/activists - seeing how people use their creativity to attempt to create change, social and political change and challenge corporations, capitalism and those in power. This is not my position but maybe it is something I am actively involved in, in a much wider way. Prompting people to just ask themselves questions - about how they choose to live their lives. I have always said that as long as people have full awareness of all positions on a subject and have access to truthful arguments on all sides, they were at liberty to believe in what they believed - I ‘didn't mind’ the choices they made! Don’t not know. Arrogant but as a lecturer there are worst ways to use the position of privilege and power that I find myself in and have observed. I think my talk went down well– my honesty enabled connections to be made – there were some excellent questions and reflections - lots of positive comments and conversations afterwards that I'm in the process of reflecting on. As ever the comments from others inform my thinking about my practice and in many ways explain to me what the work is actually about. It was fascinating to hear about issues I had never thought about. The effect of the transition from oil and gas to wind power on workers involved in generating power and the knock-on effect on their communities. The devastation brought by a lack of investment in the area, places having huge changes imposed on them, without consultation or true community engagement, as ever the money going out to private firms, investors and shareholders. The fact that this happened once with oil and is happening again with wind. This was compounded by the issue of the enclosures, and the slave trade, which in turn paid for more land. And of course, the reparations paid to former slave owners was used to buy even more land on which today windfarms are being built on, with which more money is made. Landlords, don’t you love them. Follow the money! I had many devastating conversations about the environmental damage we are inflicting and the global apocalypse we are living in….I left unsure of a future, but I did have a great time! thanks to all at SCAN. An interesting opportunity whilst being in Inverness talking about the SZC residency was  meeting a lot of artist/activists - seeing how people use their creativity to attempt to create change and challenge corporations, capitalism and those in power. This is not my position but maybe it is something I am actively involved in, in a much broader way. Making objects that prompt people to just ask themselves questions - about how they choose to be. I have always thought and said that as long as people have access to information, full awareness of all positions and have access to truthful arguments on all sides, I ‘didn't mind’ the choices they made.  

Wednesday, 27 October 2021

burningburningbooks


 rotating, folding, and flipping a sculptural bookwork – modern ritual meets old models on fire

Friday, 13 August 2021

lastchancetosee

its the last weekend of the exhibition HERE at the art station in Saxmundham - This is my work - the things that dreams are made of and the show has many great works created by other artists - if you are in the area I recommend dropping in - or even if not make the effort to get there. There is an art tour taking in a number of spaces over the weekend - check out the https://theartstation.uk/exhibition/art-station-tour/  
 

Thursday, 8 April 2021

linkingthebooksthroughbookness


I was invited to be part of a book art project where a chain of curators chooses artists books. Each person selects a book in response to the previous person's choice - here is a link. https://www.instagram.com/respondproject/ I followed Imi Maufe, http://www.imimaufe.com/ It was my turn today – I chose The Performing Book by Janine Harrington, first seen in 2010. my text for the project is -  When looking at Imi Maufe’s response I was struck by the concept of rules and the act of subverting a system - so I thought I would continue that theme. It seems pertinent in these times to present a bookwork that you cannot touch, made up of people you can only stand near to. You do not touch this bookwork but activate it by engaging your body, recognising, and considering your own physicality. Proximity and interaction control the order and duration of the pages/dancers, spaces in time. You initially encounter a static line of people, as you move past the dancers/pages each performs a set movement – your role as audience/reader/participant is not passive, initially as a reader/viewer you become a participant/performer, interacting with the book, and developing relationships with the dance. The interrelationships and roles explored in the work are rich and multi-faceted. Janine explains the ideas behind the piece in a video created on the London Millennium Footbridge (bit.ly/the-bridge-janine) but I first saw the work at an MA Book Art Degree Show at Camberwell in 2010 (bit.ly/camberwell-janinewhere I was struck by Janine’s inventiveness when it came to exploring the potential of the book. Stretching the idea of bookness. It is important to acknowledge the dancers as each performance is re-devised - Vanessa Abreu, Alexandra Baybutt, Paola di Bella, Katja Nyqvist, Lizzie Sells, Rosalie Walhfrid, Luke Birch, Anaïs Bouts, Mark Carberry, Iris Chan, Katharin Cooper, Hayley Durward, Andrew Graham, Janine Harrington, Alexandrina Hemsley, Katie Keeble, Lena Kimming, Laura Lee, Katja Nyqvist, Alice Mackenzie, Stephanie McMann, Heloise O’Donohue Lucie Sheppard, Alice Sunderland, Susan Sentler, Eleanor Sikorski, Lena Kimming, Alice Mackenzie, Christopher Matthews, Stella Papi & Elisa Vassena. You can find more about Janine’s practice https://www.janineharrington.com/ Screensaver Series and 10 Minutes are also worth checking out. Meanwhile screens – Undine https://www.imdb.com/title/tt11617052/ fantasy, myth, and reality clash. The Life Ahead https://www.imdb.com/title/tt10627584/?ref_=nv_sr_srsg_0 personal stories telling universal tales. Antoinette dans les Cévennes https://www.imdb.com/title/tt11013434/ Intense, bizarre and oddballish. @respondproject/  #BABE2021 #bookart #books #curate #artistsbooks #bookness #BABEartistsbooksRESPOND