LANDhaslanded

I have some work in LAND, an exhibition at The Arts Station in Saxmundham. The work explores our relationship to nature, using a tree I have been growing through a metal grid hung upside down with an image of a pylon as seen from above. The usual layout or position of all aspects of the piece are thrown into question, allowing the viewer to rethink what they think they know. onto screens - The Friend – had to leave 40 mins in - couldn’t stand the people in the film or their devotion to what was an overburdening arrogant character in Bill Murray – the dog was impressive though. Brick – like a gentle escape room. Too Much is, as ever with Lena Dunham just on the side of too much for me.

travelingtravellingtravelling

The show at Imprints looks good the - exhibition is called control documents and runs from 28 Juin - 27 Juillet 2025. It consists of a series of 2D and 3D prints that are my response to the data collection taking place during the preparation for the building of SZC. The imagery is created from abstract photographs created by photographing etched Perspex, layered with digital lines and imagery derived from Penrose tiling. The work is concerned with connections and systems. It was primarily conceived when I spent time listening to a Skills Development Manager working in the Employment Affairs Unit (EAU) analysing data and looking at a gannt chart that ran till 2095. The titles of the works are taken from abbreviations within SZC documents that are open to the public. There are so many and navigating them is a little like decoding contemporary art, you must spend time, but unlike abbreviations with art there are no right answers the viewer of art can bring their own meaning, maybe that's the stumbling block. There is a limited-edition artist book that accompanies the prints which is made from digital prints that are folded into a multi-functional structure. Created in an edition of 4, consisting of 16 panels, the folded structure enables several different panels to juxtapose with each other. Its construction means that the bookwork has a duality, it can stand on a surface, functioning as a sculptural form whilst operating as a hand-held book. After the private view I spent a couple of days hanging out, the Saturday market is always a fantastically French experience, and the market lunch is a wonder. Spent a couple of days around the coast in Bandol, a beautiful old-school-faded-glamourous-grandeur of a place – DH Lawrence stayed in the hotel. And then there was the travelling back. Popped into Marseille to see a couple of shows. As ever the Mucem was wonderful, the collections history, one of ethnographic was interesting to consider. There were some great shows about pattern including the meanings of tattooing and hairstyles. Frac Sud had 3 interesting shows, what the hand thinks focused on making and showed some great work from the collection. Travelling – don’t you love it…….Bandol to Marseille by train – Marseille to the airport by car – waited 5 hours to be told flight cancelled – airport to Marseille by car – stayed in hotel – Marseille to train station by car – Marseille to Paris by train – Paris to Kings cross by TGV – Kings Cross to Tottenham Hale by tube to get train – train to Bishop Stortford – train cancelled – bus replacement to Stansted – Stanstead to home by car. Next day into London to see my work in the SZC offices and a couple of shows. Taku Aramasa  at Annely Juda was fantastic, deconstructing the 3 floors of the building, exposing the history of the place.

alwaysawinner

work with SZC continues, working with ideas of connectivity with the pylon as a starting point motif. First light festival was a winner, the curated show in the gardens was eclectic and fun, managed to see a couple of bands, Caswell, LFay and Sebbuku, all good. Ken Worploe was good on landscape and building, and of course Luke Wright was Luke Wright – always a winner. Created our own Snape Festival with a couple of £10:00 tickets alongside the art on display and an afternoon of new music by young people, which was excellent. Meanwhile onto screens, still chugging along with Alpha House which is very funny but Riefenstahl is another thing – did she know or was she innocent or an artist taking an opportunity? Watching her control the lighting when she was being interviewed at around 80 says a lot about her, and so many photographs documenting her existence – fascinating and all too easy to make connections with America at the moment, the rallies were terrifying.

whenisdeath

some notes made over the past 2 weeks…..

Bernard Stiegler – technology writer philosopher

technics - pharmakon – Greek word meaning both 'poison' and 'cure

Obvious – artists groups

Antonio Damasio – the strange order of things

Turk – man in a box fooling people

Data colonialism

Ai Alzheimer’s - data starts to relate to data rather than new information

Baroque grotesque

Territory – chaos - philosophy science art – on the margins

Disposable madness of the internet

Waler Benjamin – art in the world of mechanical reproduction

Origin and destination

Performance of ordinariness

Metatacratic legitimacy

Walking through life based on their origins

Marketing of ordinariness

Inability to function as a whole human being

When is death?

The trowel doesn’t talk

Evidence of human touch – fingerprints and manufacturing process

How is authority defined – how so you build it in the artworld

Opinions positions knowledge

Phase drawings = 3D renders of spaces

The idea of ritual = repetitive actions repetitive spaces

Bending down – genuflect.

The idea of negative archaeology

The science of architecture

Logistics of soil movement

Ministry of presence

This time includes meeting with Bench project, a day on site with the Chaplin at SZC and an open day with archaeological people – some amazing conversations and lots to think about 

ifnothingistrue,thenallisspectacle

 

To abandon facts is to abandon freedom. If nothing is true, then no one can criticize power, because there is no basis upon which to do so. If nothing is true, then all is spectacle.Timothy Snyder

A weekend in Tallinn - so much to see in what is a marvelous, clean and organised city – and the weather was great. Zipping around on mini-mopeds has to be the best fun ever and a gloriously child-like way to see a city which has the most fabulous cycle paths ever. Went out along the sea to see the monuments to people killed by the Soviet Union - what to say - it is overbearing - physically changing you in the space - it's really a space, an experience rather than a thing. So much extraordinary food and interesting drinks, especially cakes - some partaken whilst watching a dance and performance art battle - favourite section was where a contestant walked away and didn't come back - awesome.The end of year show at EKA was in a huge abandoned building so it felt like a real old-school art college experience rather than the corporate controlled display available in England. I love a student show – so much potential energy and there was also some good work. There are several small commercial spaces in Tallinn which I managed to check out - each containing professional, thoughtful work. The work of Alexei Gordin "Walled Up" where he breaks into abandoned buildings creates text pieces on the wall, photographs them and then works on them to create the work was challenging but also laugh out loud.The excellent maritime museum had interventions by art students and the museum itself is awesome - the objects the graphics the digital and physical interactive activities - all beautiful and thoughtful and interesting. KUMU the huge art gallery had a solo show by Ragnar Kjartansson: A Boy and a Girl and a Bush and a Bird, which was thoughtful and mesmerising but also a number of interventions into the collection, which is truly challenging in terms of cataloguing the history of Estonia through art. St. Nicholas Church has 7 meters of what was a 30m 'lifesize' painting of the dance of death - truly spectacular, as was a huge, multi-layered alter-piece. Thought about the work I intend to make for the faith room at SZC and the idea of faith and body and belief. A lecture on ai at Tallinn art school was open to all so popped in to listen - it was a good intro to some of the philosophical issues swirling around about ai - liked the thought about the idea of territory and chaos within the context of the internet, the role of art science and philosophy at the margins as outriders bringing ideas into the mainstream. 

whatdoeselectricitylooklike

A day at Suffolk Show on the SZC stand.  It was quite a surprise to turn up and find a large picture of me on the stand. In amongst the incredibly professionally printed display and children’s colouring in activity I decided to ask the public What does electricity look like? I spent the day finding answers from young people through drawing. I noticed that there was a point (around 4/5 years old) when drawings that attempted to capture what is quite an almost impossible act, that of drawing something that we cannot see, where the actual feeling or experience of electricity turns to drawings of circuit boards and other examples of what we use it for. education…... don’t you love how it changes the mind. I had some extraordinary conversations with the public – about creating sculpture in the brain, realigning neurons in the brain as an artwork and how design works when attempting to provide solutions within restricted spaces – fascinating. Suffolk Show throws up lots of questions and a few answers.

wearekneecapwhatareyougpingtodoaboutit

What a week - Invited to attend a day out at Trinity Park with SZC people - a corporate event themed around the idea of a Spring Fete. I can see why working within a giant community would have it's advantages. I think everyone went home with a positive feeling of connection from the experience. I was quite surprised how many people knew of my existence and I had some interesting conversations with them and new people who were genuinely friendly. There is a real sense of engagement with their workers and a desire to build a sense of community within the company. 

A day at Kings working with 3 other artists 2 'science' people and a post doc whose specialism is hacking. It was such a joy to be with such intelligent and inspiring people. We are working together within a small research grant around the role of the bench. We explored a number of themes and I came away buzzing from the conversations and playing with light and shadows. 

Then back on a train back to London to see kneecap in Brockwell Park. Such a fantastic experience - watching people who are really having fun and don't appear to care about the consequences - most excellent - leaning into their position as poster Daily Mail bad boys of everything that we are supposed to be against they started with clips of people talking about them on daytime TV and went onto decry capitalism, The Israeli Government, Amazon, the British Government, celebrate drug taking and calling Jeff Bezos a bald c++t along the way. Other bands we managed to see was the very odd Cobrah, CMAT essentially Fleetwood Mac, Mannequin Pussy- angry wordy rock, Psychedelic porn crumpets - clashing guitar rock goth, Puzzle who were too cluttered almost hip hop, fuckers - driving house rock, and Spirits essentially Patti Smith. The whole experience was a little soulless, I felt like my only job was to consume and be controlled. Odd to be in a contained small space in park opposite where I lived 40 years ago where I watched rock against racism gigs for free. Managed to check out the Pennone show at the Serpentine - beautiful and calm and worth the visit, the Welcome has a great show 1880 That, by Christine Sun Kim and Thomas Mader, illustrating/demonstrating issues around being deaf with designed artworks, It's a highly controlled show with a large design budget! Interestingly the use of sign language ties in with kneecap asking the signer how to perform what would be known as rude words. On the way home went to The Place to see Ham:beth by Modern Table which was part of the Festival of Korean Dance - truly awesome from the start with dynamic movement alongside an epic soundtrack supported by SeokJong Baek. Fantastic.