Sunday, 25 November 2018


a stroll through E London Galleries - Ginte Regina at Gao had a sweet film, next door Carlos had no history in a room filled with people with funny names 5, a bean-bag-immersive three screen installation by Korakrit Arunanondchai - some great images creating multiple narratives - Korakrit keeps cropping up on my radar - last seen at Berlin Biennale and Palais de Tokyo. The approach, with 2 shows - the oppressive/obsessive Manga/Bruegel hybrid drawings by Hun Kyu Kim and the paper collage by Peter Davies - really interesting work but maybe too many in the room to be able to see them.  Chisenhale had a sound piece and installation of objects by Lawrence Abu Hamden. A fascinating show that introduced the idea of oppression and violence in a prison measured by the released men's relationship to silence - powerful stuff.
meanwhile Year 3 Textile Design students at nua have an exhibition called - Can you give me some attention please? at St Margarets Church of Art on St Benedicts Street in Norwich. It's Free entry November 27 - December 1 10am - 5pm there will be some excellent work to view - if you are in the area come along.

Tuesday, 20 November 2018


Arriving in Marseille the first thing to do is head to the marina to our favourite restaurant xxx for soup d poisson. After that the day was all about the wonderful space that is la Friche one of my top 10 places to see stuff. The spaces held 3 shows - Planetoyenes - some interesting video work, Biomorphisme - a show that had as its core intention to show work influenced by the organic. Some beautiful pieces exploring the maths of nature. Finally Chroniques a digital arts biennale - it’s always a good selection of work and the standout pieces this time were a video by Renata Poljak where Croatian women walked to be reunited with their men who had left for South America but with the water between them it’s a journey of pain. The beautiful footage of floating clothes took you straight to refugees. There was also an extraordinary piece where  scale models of decimated cities were created using imagery derived from drone footage. This footage was then shows on screens and inserted into ‘breaking news’ feeds - truth and lies were all around us. 
Bernar Venet at MAC in Lyon was a mixed bag. A huge retrospective of his entire life but it was obvious that very little editing had taken place as it was so full of work. You could of taken away 1/2 and still cover all the different ideas he has worked in. The last floor of his monumental steel ‘line’ sculptures had the best work and these alone could of filled the whole 3 floors of the building. Imprints-Galerie in Crest had Assemblages - a beautiful body of work by Herman Ardila Delgado. It was a luxury to spend 3 days with them. 
I have waited 20 years to see Courbusiers masterpiece La Tourette. The visit to the monastery has left a tremendous impression on me. The building is a real triumph. There is a calm stillness that is embedded in every decision. From the detail which include ‘floating’ surfaces and modular rhythmic lines to the overall use of shuttering and huge walls enabling moments of revelation. The body is both stimulated and restful. you are channelled by the materials yet able to find deep inner peace. Grounded and elevated. It was so wonderful to be introduced by Matthew and Isobel to Frere Marc who was a graceful host allowing us to see spaces closed to the general public beyond and within the walls. My many questions were entertained and answered with lightness enabling a rich understanding. Just the material choices themselves were truly thrilling. I could of spent days in the chapel watching the light change but we had to leave to buy boudain noir for the next days breakfast. 
Reply All podcast 130 has stunningly disturbing information about OG Snapchat accounts and cyber hacking - you will be angry and fearful whilst considering your own engagement with social media security.

Sunday, 11 November 2018


Year 3 Textile Design students at Norwich have an exhibition coming up. It's a self organised opportunity for the students to share new work and test exhibition ideas. It will be most excellent and everyone is invited. A lot of the work will be for sale and would make superb presents.
I've received a copy of the exhibition catalogue Telling Tales by Debjani Bhardwaj of her exhibition at Tashkeel in Dubai. There are texts and images of mine within it as I wrote a piece and had a conversation with Debjani as part of my mentoring role. I love the Arabic typeface and it's really interesting to see my name and text printed in a language that is totally impenetrable to me - the publication also operates in a way unfamiliar to myself - with right to left opening one becomes conscious of form. I've become a little obsessed with Michael Kiwanuka's haunting some Cold Little Heart it is actually possible to play it on repeat for  a whole morning.

Friday, 9 November 2018


A very busy and full on 'breathing in' day in London on Tuesday - Tate to see Anni Albers a truly glorious exhibition It is a totally rigerous experience - the instagram festival that was Yayo Kasumi at Victoria Miro and the more thoughtful experience displayed next door at Parasol unit by Hedi Bucher. The display of the work is particularly interesting with it defining the work in so many ways. Looking at the treasures at The British Library with Book Art students gave us conversations rich and varied, especially around translation and languages. A thoughtful visit to the bookart bookshop was thoughtfully wonderful - tea in a china cup complimented the atmosphere and underpinned a wide ranging discussion informed and illustrated by the amazing books for sale in the shop - I also managed to see Chris Burden at Gagosian - it’s actually quite mesmerising as well as beautiful. thank you for a really positive session today - thought that you might be interested to hear 
Freakonomics podcast 335 Where Does Creativity Come From (and Why Do Schools Kill It Off)? was an excellent listen. It went some way to describe and explain intrinsic versus extrinsic motivations, how education places value assessments, but don't assess the things we value. Meanwhile I had to see season 6 of House of Cards in 2 sittings There are some stunning images within the filming that stop your breath and make you consider what is established practice - when Claire reveals her new cabinet is one.

Sunday, 4 November 2018


Another full on week of teaching with the end of Spill and the making of work. At NUA one very successful workshop saw each student making an equation of their practice and a proposed project - this equation was then passed to another student who created a 3D sculpture that represented the equation - the sculpture was then returned to the student who then reinterpreted the work having had a revelatory moment. all good. OCA had a making day where I focused on creating some internal hidden structures within a bookwork, but also reflecting and building on the work created for Nano residency. During Spill I always like to document the end of a performance (see slides) but I also had some highlights over the second week - Clarion Call grew in intensity - which was a good thing, it's so ethereal and otherworldly. Went to see Winter's Tale by Forced entertainment - just so clever/beautiful. Inter_versal by Carter Tuti and Kernschmelze II were 2 all encompassing sound experiences that I would recommend if in the vicinity of them. Decasia by Bill Morrison and The Mirror by Vicki Bennett  were two film experiences.  Decasia is made of archive film that has decayed in many ways, often this decay takes on meaning and form when seen within the context of the film's original material, boxers battling a swirling mass of scratches or a merry go around where the rides emerge from an ectoplasmatic surge and Mirror is a mash up of overlaid footage, often creating alternative narratives and dialogue between the sequences.