wearekneecapwhatareyougpingtodoaboutit

What a week - Invited to attend a day out at Trinity Park with SZC people - a corporate event themed around the idea of a Spring Fete. I can see why working within a giant community would have it's advantages. I think everyone went home with a positive feeling of connection from the experience. I was quite surprised how many people knew of my existence and I had some interesting conversations with them and new people who were genuinely friendly. There is a real sense of engagement with their workers and a desire to build a sense of community within the company. 

A day at Kings working with 3 other artists 2 'science' people and a post doc whose specialism is hacking. It was such a joy to be with such intelligent and inspiring people. We are working together within a small research grant around the role of the bench. We explored a number of themes and I came away buzzing from the conversations and playing with light and shadows. 

Then back on a train back to London to see kneecap in Brockwell Park. Such a fantastic experience - watching people who are really having fun and don't appear to care about the consequences - most excellent - leaning into their position as poster Daily Mail bad boys of everything that we are supposed to be against they started with clips of people talking about them on daytime TV and went onto decry capitalism, The Israeli Government, Amazon, the British Government, celebrate drug taking and calling Jeff Bezos a bald c++t along the way. Other bands we managed to see was the very odd Cobrah, CMAT essentially Fleetwood Mac, Mannequin Pussy- angry wordy rock, Psychedelic porn crumpets - clashing guitar rock goth, Puzzle who were too cluttered almost hip hop, fuckers - driving house rock, and Spirits essentially Patti Smith. The whole experience was a little soulless, I felt like my only job was to consume and be controlled. Odd to be in a contained small space in park opposite where I lived 40 years ago where I watched rock against racism gigs for free. Managed to check out the Pennone show at the Serpentine - beautiful and calm and worth the visit, the Welcome has a great show 1880 That, by Christine Sun Kim and Thomas Mader, illustrating/demonstrating issues around being deaf with designed artworks, It's a highly controlled show with a large design budget! Interestingly the use of sign language ties in with kneecap asking the signer how to perform what would be known as rude words. On the way home went to The Place to see Ham:beth by Modern Table which was part of the Festival of Korean Dance - truly awesome from the start with dynamic movement alongside an epic soundtrack supported by SeokJong Baek. Fantastic.