whatdoesenergylooklikefinally

It’s taken over a year since the idea was mooted by Sizewell to put children’s drawings on the fences around the Sizewell C development. A version of this request now hangs in the new visitor centre awaiting a STEAM event. In between those two points over 1500 children have engaged in the process of thinking about the role of a power station and been asked to draw energy. The images look impressive all together, it’s a cohesive body of work.

naturaldrawings

I have finally started using the ‘inks’ made from materials that were on the site of where Sizewell C Power Station is being constructed. Its day one and I am slowly working out what the materials do. A truly magical evening at Snape last night – 2 concerts – the first a selection of ‘protest’ pieces, mainly bonkers and a little dated, a kind of period piece, but still interesting. After that the second concert by the Britten Sinfonia had a sublime first half, a highlight was a piece by Brett Dean, Carlo. There was also a splendid recorder piece played by Genevieve Lacey. After the interval it was difficult to take your eyes off the dynamic cello playing of Laura van der Heijden, truly awe inspiringly magnificent. But I think the real star was the exquisite conducting by Gemma New. She elegantly held both the orchestra and the audience. It was a live event.  Meanwhile onto screens – In the grey – yes out there is a parallel universe of highly organised illegal enforcers. Madeline – whimsical and a little sad.

busybusyglasgow

Busy working on the Hospital project – 2 days in Aldeburgh Primary school were wonderful – the children were so small, but the work was excellent. The idea is to share the creative experience, but I think I might include some of the marks into the final piece. A long weekend in Glasgow for G.I. I love Glasgow and it didn’t fail to show its amazingness. Apart from the great food and drink I engaged with there were one or two stand out art moments – Tanoa Sasraku stunningly dark in the old fish market, James Gladwell’s eccentric stitch work, David Wojnarowicz mournful 70s work, Rae-Yen Song’s all consuming installation and performance, Michelle Williams Gamaker’s body horror inflected film, curated by Lydia Honeybone, Bettina’s gorgeous objects, and Sweatmother’s Dyke Just Do It upfront performance. Meanwhile onto screens – Office Romance – cheeky. Ladies First – feel like we’ve been here before.