Just received a pdf and now I can't wait to get
my hands on a copy of Telling Tales
- the catalogue for Debjani Bhardwaj's
glorious show for Tashkeel in UAE. I was a mentor as part of their critical
practice program and wrote a text exploring creativity and where it comes from.
Looking forward to seeing the text in a language that I can't read. I've spent
the weekend so far at Spill Festival
in Ipswich https://spillfestival.com/all-events/
- a good feeling at the docks in Ipswich at sunset and there is more to come. Highlights were the gloriously distressing shared Saliva @sharedsaliva at Spill central and the stunning film Figure by Lanre Malaolu - here's a link to some of the ideas behind it - but try to
get and see it https://vimeo.com/283220534
Sunday, 28 October 2018
Thursday, 25 October 2018
endsandpossiblebeginnings
the workshop at The Maxwell around problem solving for the
new cohort of PhD Nanotechnology students went well - I know this mainly because
people laughed at my jokes! What was fascinating was the initial reaction that
I had moved the tables from the usual configuration was the most challenging experience
for the students - listening to a coat hanger and collaborating and laterally explaining
what was in the bag through mime (you had to be there) were the least
problematic issues. As ever it felt glorious to be in such a dynamic space with
galvanised people - you can almost feel the creativity. I also took down all
the exhibitions that were in the various spaces (apart from the prints that
were created as a result of encountering crystallography that are a permanent
feature within the corridors of metallurgy).
Meanwhile the work for Chelmsford is up and opened - I
couldn't be at the ceremony but I do have a photograph - more to come when I
visit the site. Can't wait for tonight's Spill opening and the weekend of
performance Sirens calling......
Labels:
art,
Goldlay Square,
nano,
NanoDTC,
nanotechnology,
science,
workshop
Sunday, 21 October 2018
breathingintobeabletobreathout
A quick jaunt around London's East End galleries
took me first to The Whitechapel but
£14.50 to see a deserted swimming pool seemed a little steep even of made by
the wonderful by Elmgreen and Dragset. so onto Gao Gallery
to see the beautiful tea soap installation by Godai Sahara. Carlos had
some faintly creepy drawings (in a good way) by Stuart Middleton. Herald Street has the tiny scan-arte.com space which had the work of Fermin Jimenez Landa who creates seemingly slight interventions -
my favourite is that he walked across Europe without touching a door. Ryder projects had a neon display. Maureen Paley has the glorious AA Bronson AIDS wallpaper installation.
the show at 180
The Strand is fabulous http://180thestrand.com/
- it's a must see and you really do need around 2 - 3 hours to fully take it
all in. Difficult to know what to specifically recommend as my second viewing
brought new and different highlights. This time around it was Jewel by Hassan Khan https://www.youtube.com/watch?v=aYA4MM4T-7Q
and Now eat my script by Mounira
Al Solnh https://www.youtube.com/watch?v=eoh7ovWeKxk
real gems.
After all the digital work - I
also took in the ICA it was a desire to
see something 'physical' that led me to the National Gallery to see one of my
go-to pictures - the Pope by Bellini but it was taken away for the show
downstairs at which I would have to pay to see a picture I have stood in front
of for I don't know how many years. So after a few other pieces in the area I
settled for The Martyrdom of Saint
Sebastian by Antonio and Piero del
Pollaiuolo focusing on the detail of the cloth.
Academic activity has been full on this week, both on
and offline. In terms of teaching there was group and individual tutorials,
seminars, practical making workshops and presentations. The research for the
upcoming presentations included a wide ranging list of subjects from positing
women's underarm
hair as a radical textile activity to looking at rap videos to explore the
influence of ostentatious visibility and its relationship to branding,
marketing and product placement. Bureaucracy Includes monitoring attendance,
writing up tutorial reports, populating timetables (still), and planning and
organising in general (fire fighting) and of course there is the pleasure of
getting to know my new line manager on the BA Textile Design Course at Norwich
- Kate Farley. All good. A busy week ahead - the two opposites of
working as an artist are happening on Tuesday. My work at Goldlay Sq is being
unveiled as part of the new building development in Chelmsford, https://www.instagram.com/knownknowledge/
meanwhile in Cambridge the exhibitions I created that were part of https://unfoldingthinking.blogspot.com/
are being taken down and packed away
after I have given a workshop around problem solving to the new cohort of Nanotechnology
PhD students.
Labels:
art,
gallery recommendations,
Goldlay Square,
london,
NanoDTC,
teaching,
workshop
Wednesday, 17 October 2018
dontworrynewstuffwillemerge
I've been engaging in a new walk that takes in both Walberswick
and Southwold which means going past a fishmongers so after 1/2 dozen oysters in
the harbour I'm yet again walking through the town so dropped into Southwold
Museum for the first time ever https://www.southwoldmuseum.org/ .
It's full of fantastic stories - each one connected to a wonderfully odd
object. Coffee sent by Haile Selassie after the great flood of 53 http://theconversation.com/1953-storm-surge-how-britains-worst-natural-disaster-kicked-off-the-debate-on-climate-change-71310
and spikes dropped from zeppelins
based on designs created to deter Roman Chariots were two of my favourites. meanwhile
Hotel Artemis is an amalgam of
several films you have already seen, there are no surprises but it looks good
and Jodie Foster shines. https://www.imdb.com/title/tt5834262/?ref_=nv_sr_1
and Don't Worry, He Won't Get Far on
Foot - is beautifully shot by Gus Van Sant with some glorious acting by all
- Jona Hill is superb. https://www.imdb.com/title/tt6288124/?ref_=nv_sr_1
On the Music front enjoying Chet Faker
and FKJ https://www.youtube.com/watch?v=Rw-hw7rVOrA
today working at Camberwell - running the last what is a book session where structural folding leads to building
an individual relationship to bookness. After last week's Textile Design
lecture I realised that I had left my keys in the theatre - really pleased this
happened as KlangHaus were setting up for Fine Art - the performance/lecture
was really engaging and informative - I last saw them in an immersive/performance/gig
in an old factory in Norwich. If you get a chance go see them. https://klanghaus.co/
Saturday, 13 October 2018
pastpresentfuturemadness
what
is society? what is insanity? and if a person transgresses societies moral structures
does that make them insane? 22 July prompts
some of these questions https://www.imdb.com/title/tt7280898/ this conundrum leads to all kinds of questioning about where we are now. I
had a meeting in Diss the other day to talk face to face about OCA and managed
to walk past a piece of public work I created for a space just outside
Morrisons on the main road going through the town - it still looks good. Meanwhile I've been randomly
walking past Southwold lighthouse for 28 years and on Sunday I went up -
wonderful. The view is obviously fabulous when you look out over the marshes,
out to sea and the bays either side. When you look down on the town It's all
about being nosey - you are in peoples back gardens - it's a must see. https://www.trinityhouse.co.uk/lighthouse-visitor-centres/southwold-lighthouse-visitors-centre
On Netflix the ending of Maniac was fairly traumatic with the C
pill leading us deeper into what it is to be human. Leave no Trace is a beautiful film which in oblique ways gives us a
lenses on the modern world https://www.imdb.com/title/tt3892172/?ref_=rvi_tt
Eighth Grade gives an insight into
the ways screens engage with a thirteen year old but maybe that angst was
always there.... https://www.imdb.com/title/tt7014006/
Doris Salcedo at White Cube is intriguing but unsure if
it's interesting. The latest hot ones
is a stunner with Tenacious D sweating it out over the wings. https://www.youtube.com/watch?v=X2zqiX6yL3I
Friday, 12 October 2018
beginninganending
On
my way to symposium 1 at Camberwell - the last one with two cohorts! it's
traditionally a great day of possibilities where we see what has been and
project into the future what could be. 27ish years ago I can remember contacting
Ivor Robinson at Oxford Poly for help after being invited to support the
writing of the documents for the first MA dedicated to Book Arts within
Camberwell College, in fact the whole country. The Course was developed out of
Graphic Design thinking but was taught within a Fine Art context - for me this
was perfect and symbolises something about the interdisciplinary nature of the
book and the teaching on the course. Over the years the course has responded to
academic, political, economic and social concerns. Its content evolved to
encompass the current thinking of the times it has moved through whilst always
responding to the needs of students. Deconstruction and what it is to learn
were always at the centre of the course methodology, often students responded
to this and went on to establish the teaching of book art after returning to
the places they came from. Its academic teaching structure subsequently evolved
to become a pathway within the MA offer. After its existence as a beacon
of good practice with connections throughout the world the
University of The Arts has now decided to discontinue a dedicated approach to
the teaching of Book Art at an MA level. After 26 years as a Course Tutor
supporting Susan Johanknecht as Course Leader I now find myself sharing a
Course Leader post with Tanya Peixoto as we teach the course out. Ending
something is different to beginning something. It's going to be a wild ride and
I'm looking forward to the challenge of supporting the students and finding
meaning in an ending. In the whole history of the course it appears that I'm
the only person to of experienced the whole journey of Book Art within
Camberwell - from its initial conception to its proposed demise (I literally have
a copy of the final essay/dissertation every student has written!) so
reflecting on this has been/is a thing. forward.
Saturday, 6 October 2018
teachingdanceandchilling
A
busy teaching week - watching some great Pecka Kucha's at NUA with the year 3 group, day one back
at Camberwell after the break and OCA continues to grow and becomes more relevant with its
professional structure and comprehensive use of technology. A day of tutorials
with students from all over the world was mind blowingly transformative. I love
Zoom https://zoom.us/ (the system we use as a
place to meet). Deep into Maniac https://www.imdb.com/title/tt5580146/?ref_=fn_al_tt_1
and its either wonderful or just random. I love the visual tone of the work -
it looks great and the actors are believable in the kooky, cartoon, unreality
world they inhabit. Tuesday night I went to The Place to Seeta Patel
https://www.seetapatel.co.uk/ in an
interesting performance. American
Animals https://www.imdb.com/title/tt6212478/?ref_=rvi_tt
is a very clever story where the retelling of truths and finding meaning are at
its core,
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