work with SZC continues, working with ideas of connectivity with the pylon as a starting point motif. First light festival was a winner, the curated show in the gardens was eclectic and fun, managed to see a couple of bands, Caswell, LFay and Sebbuku, all good. Ken Worploe was good on landscape and building, and of course Luke Wright was Luke Wright – always a winner. Created our own Snape Festival with a couple of £10:00 tickets alongside the art on display and an afternoon of new music by young people, which was excellent. Meanwhile onto screens, still chugging along with Alpha House which is very funny but Riefenstahl is another thing – did she know or was she innocent or an artist taking an opportunity? Watching her control the lighting when she was being interviewed at around 80 says a lot about her, and so many photographs documenting her existence – fascinating and all too easy to make connections with America at the moment, the rallies were terrifying.
Monday, 23 June 2025
alwaysawinner
work with SZC continues, working with ideas of connectivity with the pylon as a starting point motif. First light festival was a winner, the curated show in the gardens was eclectic and fun, managed to see a couple of bands, Caswell, LFay and Sebbuku, all good. Ken Worploe was good on landscape and building, and of course Luke Wright was Luke Wright – always a winner. Created our own Snape Festival with a couple of £10:00 tickets alongside the art on display and an afternoon of new music by young people, which was excellent. Meanwhile onto screens, still chugging along with Alpha House which is very funny but Riefenstahl is another thing – did she know or was she innocent or an artist taking an opportunity? Watching her control the lighting when she was being interviewed at around 80 says a lot about her, and so many photographs documenting her existence – fascinating and all too easy to make connections with America at the moment, the rallies were terrifying.
Wednesday, 18 June 2025
whenisdeath
some notes made over the past 2 weeks…..
Bernard Stiegler – technology writer philosopher
technics -
pharmakon – Greek word meaning both 'poison' and 'cure
Obvious – artists
groups
Antonio Damasio
– the strange order of things
Turk – man in a
box fooling people
Data colonialism
Ai Alzheimer’s
- data starts to relate to data rather than new information
Baroque grotesque
Territory –
chaos - philosophy science art – on the margins
Disposable madness
of the internet
Waler Benjamin –
art in the world of mechanical reproduction
Origin and
destination
Performance of ordinariness
Metatacratic legitimacy
Walking through
life based on their origins
Marketing of ordinariness
Inability to
function as a whole human being
When is death?
The trowel
doesn’t talk
Evidence of
human touch – fingerprints and manufacturing process
How is
authority defined – how so you build it in the artworld
Opinions positions
knowledge
Phase drawings
= 3D renders of spaces
The idea of
ritual = repetitive actions repetitive spaces
Bending down – genuflect.
The idea of
negative archaeology
The science of architecture
Logistics of
soil movement
Ministry of presence
This time includes meeting with Bench project, a day on site with the Chaplin at SZC and an open day with archaeological people – some amazing conversations and lots to think about
Wednesday, 4 June 2025
ifnothingistrue,thenallisspectacle
To abandon facts is to abandon freedom. If nothing is true, then no one can criticize power, because there is no basis upon which to do so. If nothing is true, then all is spectacle.Timothy Snyder
A weekend in
Tallinn - so much to see in what is a marvelous, clean and organised city – and
the weather was great. Zipping around on mini-mopeds has to be the best fun
ever and a gloriously child-like way to see a city which has the most fabulous
cycle paths ever. Went out along the sea to see the monuments to people killed
by the Soviet Union - what to say - it is overbearing - physically changing you
in the space - it's really a space, an experience rather than a thing. So much
extraordinary food and interesting drinks, especially cakes - some partaken
whilst watching a dance and performance art battle - favourite section was
where a contestant walked away and didn't come back - awesome.The end of year
show at EKA was in a huge abandoned building so it felt like a real old-school
art college experience rather than the corporate controlled display available
in England. I love a student show – so much potential energy and there was also
some good work. There are several small commercial spaces in Tallinn which I
managed to check out - each containing professional, thoughtful work. The work
of Alexei Gordin "Walled Up" where he breaks into abandoned buildings
creates text pieces on the wall, photographs them and then works on them to
create the work was challenging but also laugh out loud.The excellent maritime
museum had interventions by art students and the museum itself is awesome - the
objects the graphics the digital and physical interactive activities - all
beautiful and thoughtful and interesting. KUMU the huge art gallery had a
solo show by Ragnar Kjartansson: A Boy and a Girl and a Bush and a Bird, which
was thoughtful and mesmerising but also a number of interventions into the
collection, which is truly challenging in terms of cataloguing the history of
Estonia through art. St. Nicholas Church has 7 meters of what was a 30m
'lifesize' painting of the dance of death - truly spectacular, as was a huge,
multi-layered alter-piece. Thought about the work I intend to make for the
faith room at SZC and the idea of faith and body and belief. A lecture on ai at
Tallinn art school was open to all so popped in to listen - it was a good intro
to some of the philosophical issues swirling around about ai - liked the
thought about the idea of territory and chaos within the context of the
internet, the role of art science and philosophy at the margins as outriders
bringing ideas into the mainstream.