The show in Russia appears to be going well - this is a link to the pdf
of the catalogue http://www.pogarsky.ru/cgi-bin/foremanel.pl?mod=books&a=books&id=291
I’ve just packed up the work for the exhibition in Bristol – it consists of early unpicking and rebinding paper structural
pieces and a
body of new work in the form of unique pamphlets using digital images derived
from photographing the paper structures and outputting them through a digital
printer.
Showing posts with label unpicking and rebinding. Show all posts
Showing posts with label unpicking and rebinding. Show all posts
Wednesday, 26 March 2014
Tuesday, 29 October 2013
listemingfortomorrow
listening to darkstar whilst organising tomorrows hang at the Gallery in Norwich. The culmination of 2 years work. The show is on for one day - thursday - the private view is wednesday 5.30 - 7.00
Wednesday, 25 September 2013
talkandthebooksculpture
A really positive day working at the Colchester Institute http://www.colchester.ac.uk/courses/ma-sculptural-practicewith the MA Sculpture students – morning was a presentation around public art http://www.slideshare.net/l.bicknell/working-with-in-public-art
and the afternoon was individual tutorials – it all felt good talking sculpture
– discussions ranged from the abject and Kiki Smith to the sublime and Mariele
Neudecker via amongst others Bachelard, Jospeh Beuys, Pitt Rivers, ritual,
symbolism, skill and witchcraft! Meanwhile
the book structure workshop/session at Camberwell for the MA Book Arts students
followed by a bookness – what is a book presentation http://www.slideshare.net/l.bicknell/what-is-book-bookness-2013
was really interesting with cultural hiccups left right and centre which is
always an interesting thing to reflect on.....language...the digital invite to the show at NUA is out.
Friday, 30 August 2013
twoexhibitionstwospaces
2 days at Camberwell working on the MA Book Art -
assessing the students final submission. 2 very long days but it was a real
pleasure looking at the work, discussing learning outcomes with other members
of staff alongside the nature of an Art College (University) education. But
also it’s an important time where we really think about the book and the possibilities
available within its form.
The reflective journal is an interesting tool and
something that within my practice this blog and my note books take the role of.
The two stage – the first thoughts, unintelligible to others one and the edited
version connecting and disseminating to others one are essential for the
development of a professional arts practice and even more so within an
educational context.
Meanwhile
The show at the Museum of East Anglian Life is
up.
Monday, 29 July 2013
researchlifeandwork
Life at the moment is cluttered with unpicking and rebinding - but found time last week to research the Venice Biennale – working
out which of the many collateral events away from the main sights I’m going to
get to and looking at how to get to the exhibition at Palazzo Grassi – a space
that I’ve never managed to get into but if its anything like its sister space Punta
della Dogana which always has excellent shows within an awesome space it should
be good.
Meanwhile celebrating difference on youtube!
Monday, 8 July 2013
thinkingandcollecting
a quick break - 4 days in France - South of Marseilles - idyllic - amongst the books I read I have to recommend Watermark by Joseph Brodsky - a beautifully crafted book, exquisite use of language, a meditation on light and life - centred on Venice - which I'm looking forward to visiting in a months time for the Biennial. As ever the holiday snaps represent current interests as well as long standing ones - death, fabric in/on sculpture, quirks in structural public amenity - a new one - I became obsessed with the idea of barrier and am now collecting.
I also managed to solve one or two issues around the unpicking and rebinding project which I have been working on this week. Having space to think was good.
Friday, 16 November 2012
teachingarchivesmeat
A week of teaching at NUCA, archives – see http://unpickingandrebinding.blogspot.co.uk/
and training – considering the National Student Survey (NSS) and our/my
relationship to it. It’s important that students get the right information
about a course when choosing where to study and increasingly, we are told, they
along with their families are looking at sites such as which universities .com
etc to make decisions, a sort of where to get the best deals on phones type
site. I have been working with year 3 students on how to understand the rather elliptical
questions in the survey along the implications of their tick boxes – it makes
for interesting times and opportunities for us all. Meanwhile wading through
some porn data with information graphics http://www.taschen.com/pages/en/catalogue/design/all/04984/facts.information_graphics.htm
a tombstone of a book – wonderful.
“If you can’t explain it simply, you don’t
understand it well enough.” Albert Einstein
Friday, 12 October 2012
reallyreallyreallyexcited
Well - 2 years ago I sat in a restaurant in Venice heatedly discussing
the role and representation of folding and smocking within the clothes represented
in the paintings in the Academia. It culminated in the question was smocking inherently
evil? as the individuals in the paintings wearing smocking appeared to have poor
character qualities. The activity itself has political overtones – workers clothes
and busy hands, alongside the idea of the hidden and the process of creating folds.
This conversation has developed over the 2 years starting off with a small body
of works for a touring exhibition in Ireland influenced by some of the
structures. This was almost subconscious but later a show titled bookmare at
Camberwell College of Art and the repeat show at Norwich University College consciously
started the process of exploring smocking through the objects I make. A TESS
funding application at nuca led to a body of work for the windows at the Imago
gallery. A lot of meetings and
conversations led me to some really excellent people to work with within some
interesting collections and archives in the Eastern Region. This led to a successful
bid to the Arts Council to spend a year working on the idea with a number of
partners – here is the initial paper table layout with the notes written on it
and finally I am starting on what I hope will be a fantastic opportunity......
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