It’s taken over a year since the idea was mooted by Sizewell to put children’s drawings on the fences around the Sizewell C development. A version of this request now hangs in the new visitor centre awaiting a STEAM event. In between those two points over 1500 children have engaged in the process of thinking about the role of a power station and been asked to draw energy. The images look impressive all together, it’s a cohesive body of work.
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Tuesday, 30 June 2026
whatdoesenergylooklikefinally
It’s taken over a year since the idea was mooted by Sizewell to put children’s drawings on the fences around the Sizewell C development. A version of this request now hangs in the new visitor centre awaiting a STEAM event. In between those two points over 1500 children have engaged in the process of thinking about the role of a power station and been asked to draw energy. The images look impressive all together, it’s a cohesive body of work.
Labels:
childrens drawings,
drawing,
energy,
installation,
STEAM,
SZC,
workshop
Thursday, 18 June 2026
naturaldrawings
I have finally started using the ‘inks’ made from materials that were on the site of where Sizewell C Power Station is being constructed. Its day one and I am slowly working out what the materials do. A truly magical evening at Snape last night – 2 concerts – the first a selection of ‘protest’ pieces, mainly bonkers and a little dated, a kind of period piece, but still interesting. After that the second concert by the Britten Sinfonia had a sublime first half, a highlight was a piece by Brett Dean, Carlo. There was also a splendid recorder piece played by Genevieve Lacey. After the interval it was difficult to take your eyes off the dynamic cello playing of Laura van der Heijden, truly awe inspiringly magnificent. But I think the real star was the exquisite conducting by Gemma New. She elegantly held both the orchestra and the audience. It was a live event. Meanwhile onto screens – In the grey – yes out there is a parallel universe of highly organised illegal enforcers. Madeline – whimsical and a little sad.
Labels:
Aldeburgh Festival,
drawing,
film recommendations,
ink,
materials,
natural,
snape,
SZC
Wednesday, 10 June 2026
busybusyglasgow
Busy working on the Hospital project – 2 days in Aldeburgh Primary school were wonderful – the children were so small, but the work was excellent. The idea is to share the creative experience, but I think I might include some of the marks into the final piece. A long weekend in Glasgow for G.I. I love Glasgow and it didn’t fail to show its amazingness. Apart from the great food and drink I engaged with there were one or two stand out art moments – Tanoa Sasraku stunningly dark in the old fish market, James Gladwell’s eccentric stitch work, David Wojnarowicz mournful 70s work, Rae-Yen Song’s all consuming installation and performance, Michelle Williams Gamaker’s body horror inflected film, curated by Lydia Honeybone, Bettina’s gorgeous objects, and Sweatmother’s Dyke Just Do It upfront performance. Meanwhile onto screens – Office Romance – cheeky. Ladies First – feel like we’ve been here before.
Friday, 29 May 2026
IntegrationoftheArtsandBiomedicalEngineeringinInnovativeInterdisciplinaryAnatomyEducationTheSyntheticAnatomyModule
Saturday, 16 May 2026
sayingyesalot
Having said yes, a lot a couple of weeks ago I now have a long list of stuff to do with several large scale, interrelated and complex projects. 1 The work with Aldeburgh Hospital and the school is moving on with organisational meetings and some positive conversations. 2 The final stage of Energy? Hanging the work at SZC visitor centre for a STEAM event is the last and seemingly most challenging stage after generating an instructional pack, sending it out to schools to create over 1000 images, creating films and 50 panels with 25 images! 3 The flag project for the opera is completed, and the next stage is dyeing 200 yards of material with natural dye for the backdrop. Assessment is about to start at Norwich; it will be great to see the students work on the project I set around textile narratives. The show at Unit 4 has some really interesting work that is hung well, the space is a great addition and now the nearest gallery to my house, it would be great if the SZC roadworks didn’t detour my route. The latest sharing at Snape as part of the open sessions was fascinating – the system of graphic scores and unusual instruments made for an eccentric evening. Rob Bentall on nyckelharpa and Zebedee Budworth on hammered dulcimer were fantastic together. Onto screens – Sirat – one thing leads to another, oh dear. How to Make a Killing – witty and procedural. Hail Mary – great fun, and if you take a 10-year-old along with your belief will be suspended.
Tuesday, 5 May 2026
neoclassancients
Tuesday, 28 April 2026
apackedcoupleofweeks
what an amazing sound alongside the great retuning of voice with tuning forks - the work exhibited at the cut by Sarah Horton is medative - private view full of conversation brighten the corners, a day festival of free music was energizing - highlights were the full-on Sebukku and the gloriously raucous Rad Pitt hip rock with funk - brilliant.
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