ongoingongoing

Steaming ahead with many projects – NanoDTC Autum school preparations are underway, the latest iteration of the Aldeburgh Hospital florals has been created, and work has started on the mountain of bureaucracy that is teaching. Onto screens – Reacher Season 4 – more of the same but even more so. Started to watch La Mesías, quite possibly it has the most disturbing character on screen I have ever come in to contact with….ever! Just finished Middle of Colin from Accounts – light relief embedded into will-they-won’t-they tragedy and The Whisper Man – stressful but with DeNiro in fine form.

meetingsandworkandmeetingsabout work

A week back! As ever it’s a little bit of a culture clash going back to work but the work at the hospital is going well and conversations around projects NanoDTC, Bench, and Synthetic Anatomy are progressing. At Norwich University of the Arts we are preparing the rooms for the students and rewriting course documents and timetables. The latest show at the art station is great – an art/craft extravaganza with folds and pleats. Onto screens – One night only – odd premise but fun.

somesaints

 

returntojazzzzzz

A return to Nantes exactly a year from my last visit - such a fantasticly french town - they have a jazz festival where main streets are closed off to traffic and every year commission masses of new public art and a curated exhibition across the city - most excellent - cycling is great as there are numerous bike lanes - Jazz is everywhere and its all free saw Big Chief Juan Pardo & Nala 7 Brass Band - hiphop jazz and Dolphin hyperspace - which was mad Space jazz. Great street food and a beautiful vibe! Fantastic exhibitions in interesting buildings - highlights were Anne-Charlotte Finel's mesmerising videos in the cathedral crypt, Justine Emard's truly haunting show at le lieu Unique - if you go check out their plat du jour - always amazing. HAB has a slightly heavy handed curated exhibition about the moon. The best work were the early documents and photographs. The chateau /castle had an brillant exhibition contextualising France's and Nantes role in its colonial past by Omar Victor Diop, excellent photographs. To be fair the whole space tells France's and Nantes role in slavery through objects and testimony. After 3 days went out to Les Sables-d'Olonne, by train to pick up bikes to cycle 20 miles to Longeville-sur-Mer where cycling and swimming and eating and reading were the only activities. Stayed in an amazing Airbnb 500 yrds from the sea. In terms of reading I've got to recommend Human kind by Bregman - it will change how you cope with the world. Recursion by Blake Crouch will twist time in your mind - I would love a diagram. The things we never say by Elizabeth Strout has given a road map going forwards by enabling me to reflect on the past. Stayed here! my review!! OMG I LOVE your house - its full of the most beautiful objects so thoughtfully displayed - discovering them brings joy - the narrative between the postcard and the bookends almost too much! - ceramics to DIE for - pictures to contemplate (the seascape in the bedroom is especially special) and then the design of house itself is SCANDALOUS - wonderfully ostentatious and yet petite - like a stubborn small child proudly squatting holdingtheir ground - inside EVERYTHING is considered and followed through to create a whole, designed for a purpose. 

hothothot

A trip to France – eating, drinking, reading looking at exhibitions in Marseille. As usual a visit to Mucem was a joy and had 3 interesting shows –, mother, and a set of collaborations set up by the fashion designer Mossi Traoré, fashion too. At the newly opened Museum of Contemporary Art [mac] Clément Cogitore, Ferdinandea, the ephemeral island and Bonnes meres was ok, but the collection has some fantastic examples of French artist’s work.The Marseille History Museum has some wonderful individual artifacts.Then up to Crest and Avignon to see Lee Ufan at the Palais des Papes. The building was awesome, the work not so. Spent a lot of time with Jackson. Just finished the latest David Sedaris collection The Land and its People. Its laugh out loud funny with a great turn if phrase and comic timing - I'm in the hard part of getting old - the part where everything irritates you. The easy part comes a little later, when my short-term memory disappears. Onto screens - The Man from U.N.C.L.E. - wonderfully styled japes. The Last House - horror meets home alone with monsters. Glenrothan – great performances leading to lovely resolutions all round. We Still Kill the Old Way - Disturbing old school revenge. 

floralsandparties

A weekend of parties – a 3-year-old and a 60 and then another during the week– most excellent, also got to hold a 3 day of baby! A thoughtful and productive day at Aldeburgh Hospital talking with staff and patients about the proposed artwork for the corridor. It is such a wonderful space filled with light and the friendly faces of the people who work there. It is a real pleasure making this work so far, I feel that it’s real consultation, taking and being led by the people I am working for. I am developing a side project – the celebration of peoples lives through their hands. I have been taking photographs of people’s hands and adding their favourite flowers. I see the work referencing ideas around protection, holding and shielding or as a form of gift, giving and receiving. I don’t know if they will become part of the work or a piece on their own, which is the great thing about this project, a continual feeling on not knowing where it will lead. A cracking night out at the Marina Theatre in Lowestoft – we will rock you. Checked out Ryan Gander’s work at 303. The last song could fit into a live art context without any irony. Onto screens - Tuner – a rollocking caper.

itsstillthereasileftit

As ever - Venice was there as I left it, beautiful and other. 2 years later I'm at The Venice Biennale 2026, and it was great to see so much textile within a fine art context. To breathe in gives me the ability to breathe out. I’ve been a member of an, now renamed Artists Now, since it was called artists newsletter. It is an essential organisation that supports artists in so many important ways. I recently received assistance to attend Venice Biennale. Visiting the Biennale exposes me to an alternative creative experience to a western, male, global north art world position. This act of creative breathing in gives me the ability to breathe out. The experience of attending exhibitions is invaluable, enabling me to grow both as an artist and as an educator. As somebody who works with others I pass on this knowledge to the students I engage with. Thank you to Artists Now for recognising the need of artists to continue to grow and for your valued support over the years.