Showing posts with label nano. Show all posts
Showing posts with label nano. Show all posts
Wednesday, 7 April 2021
newworks
Thursday, 25 October 2018
endsandpossiblebeginnings
the workshop at The Maxwell around problem solving for the
new cohort of PhD Nanotechnology students went well - I know this mainly because
people laughed at my jokes! What was fascinating was the initial reaction that
I had moved the tables from the usual configuration was the most challenging experience
for the students - listening to a coat hanger and collaborating and laterally explaining
what was in the bag through mime (you had to be there) were the least
problematic issues. As ever it felt glorious to be in such a dynamic space with
galvanised people - you can almost feel the creativity. I also took down all
the exhibitions that were in the various spaces (apart from the prints that
were created as a result of encountering crystallography that are a permanent
feature within the corridors of metallurgy).
Meanwhile the work for Chelmsford is up and opened - I
couldn't be at the ceremony but I do have a photograph - more to come when I
visit the site. Can't wait for tonight's Spill opening and the weekend of
performance Sirens calling......
Labels:
art,
Goldlay Square,
nano,
NanoDTC,
nanotechnology,
science,
workshop
Sunday, 3 December 2017
outcomesfromincomes
How small is nano? Was a question I was
constantly asked when working at The Maxwell Centre in Cambridge. The answer
was always contextualised with something from the real world as nano scale is
almost beyond comprehension. This was usually human hair which is approximately
100,000 nanometers wide. As
a reminder of this fact I grew my hair for the duration of the project. It is
now over and I am left with a giant hair ball which in some ways explores the
idea of scale. There were many outcomes from the project including a number of artists books. It was really great that Sarah Bodman chose using a
known to make an unknown to be in her top ten artist books of
the year - thank you. https://www.a-n.co.uk/news/artists-books-2017-10-best-noise-alphabet-rearranged-romance
The Synthetic anatomy project at Kings is
moving along - lots of thoughts around reflective thinking and how to support
individuals who don't supposedly engage in the process. The aim is to develop
the skills needed to create a reflective journal as part of a 'changing
classrooms' initiative. But most individuals engage in the act of reflection
when making choices based on experience so the challenge shouldn't be too
great.
Finally looking at the range of upcoming booked leisure
activities in the diary - The Berlin Art Biennale, tickets to flight of the conchords at the O2 and Titus Andronicus at The Barbican and then the glorious
pantomime at The Wolsey in Ipswich, this year Red riding hood....nothing but
eclectic.
Labels:
@NewWolsey,
book art,
hair,
Kings College,
Maxwell Building,
nano,
Sarah Bodman,
synthetic biology
Wednesday, 1 February 2017
castingawaynegativespace
I spent the
afternoon yesterday at the studio of sculptor Laurence Edwards casting negative
space - it's a great place to think and my time there allowed me the
opportunity to play with 'traditional' materials - it was really nice to be
around like minded people and have the stuff of stuff lying around to allow
space to reflect on the nano project. https://unfoldingthinking.blogspot.co.uk/
Laurence's work is becoming monumental with lots of technical issues to be
solved which I like watching, you can feel solutions in the air, the space is
all about process. http://www.laurenceedwardssculpture.com/
Monday, 22 August 2016
oneexhibitionandsomefilmsaabookandsomegoodnews
Thursday, 10 March 2016
workworkworkteachwatch
lots of teaching this week from
briefings about the final show with year 3 textile students at NUA (yes its already
that time of year) to a wonderfully intense midterm collaborative session
looking at finished work at Camberwell on the Book Art course. As ever it was
full of exciting, thoughtful and insightful comments - it's a session where the
maker takes notes but does not speak, the work standing on its own without
contextual background to support it - a positive experience for the students
and one that supports and informs my own practice. Then a session on lateral
thinking with year 1 students at NUA it's an attempt to induce a recognition
within students that they are creative powerful people.......creative thinking
within the visual - we control the world - or at least how it looks.
some films - kill or be killed
- a psychological cowbody thriller - odd, dark and gritty. midnight man
- is there a twist there somewhere? just bad on so many levels. The Reunion
- Atertraffen is worth a watch - an 'art film' in the guise of a 'mainstream'
one maybe. After all this okayishness decided to re-watched the game - still
good even after repeated viewing and even knowing where it will take you - a
taught thriller twisting and turning till the end (almost).
still moving
through girls - it gets darker as it moves on - just as everything seems to be
resolved and working and generally okay for the case of characters the
situation is destroyed by the need for a well chosen chunk of 'truth'! - a
break from the 'reality' of New York life is the night manager a 6 part twisting
thriller from John le Carré via
the BBC with all its values intact.
finally - working on which pieces
will be on display as part of the Maxwell Building Inaugural Event, which will take place
on the 7-9 of April. I'm showing the film nanocapesarego which demonstrates some of the capes and the
materials filmed that were used to make the them. Hopefully alongside this I'll
show a couple of the experimental bookwork hand sculptures - I have so many to choose from, as ever I got excited and
just kept making.
Friday, 15 January 2016
Friday, 8 January 2016
nanocapeandhistory
The film has become nano cape - its the first iteration that includes
some of the ideas that have informed the ideas that led up to the designs on
the capes - the google sketch up work, film from castle museum in Norwich residency,
and live film of the lazer cut textiles from the Summer. Meanwhile its
assessment time at NUA with presentations and rooms of work to look at - the potential
for wonderfulness is all around - it will be interesting to see what the next coming
months bring. A film to watch but not if you're feeling squeamish. The Revenant is a truly beautifully brutal
film - hours of grunting, sweat, blood, dirt, cold and snow alongside the force
of nature accompanied by a soundtrack that becomes a main character in the
action.
some of the ideas that have informed the ideas that led up to the designs on
the capes - the google sketch up work, film from castle museum in Norwich residency,
and live film of the lazer cut textiles from the Summer. Meanwhile its
assessment time at NUA with presentations and rooms of work to look at - the potential
for wonderfulness is all around - it will be interesting to see what the next coming
months bring. A film to watch but not if you're feeling squeamish. The Revenant is a truly beautifully brutal
film - hours of grunting, sweat, blood, dirt, cold and snow alongside the force
of nature accompanied by a soundtrack that becomes a main character in the
action.
Tuesday, 5 January 2016
capecapecapefilm
the first draft - first rough draft / layer of latest video. cape imagery created from work with nano scientists in Cambridge. Images - Les Bicknell and Bob Bicknell Knight. film created from still images. models Jim, Evie, Bob and Jayne.
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