editionsprayer

I have been developing imagery from ideas first started when I encountered crystallography. The shapes are derived from exploring Penrose tessellation and manipulated in illustrator. Lazer cut forms are then used as a masking device which offers unlimited possibilities, the choice after making is where the work happens, as layers are added the work becomes more complex, especially after cutting into the prints and juxtaposing the many layers. The spray-painted imagery seems to blur and move in and out of focus. The images are a series of prints, and the film is made from pages of a bookwork. Onto screens - The infernal machine – full of slowly dawning ah-ha revelatory moments. Inheritance – twisted and dark. Athena – lots of shouting and running and explosions. Bullet Train – unsure if it was intentionally knowing or if it was delusional, the former would make it hilarious….4 episodes into the frantic and fast paced The Bear and yet to breath out.

theshadowandthevoid

the shadow and the void - continuing the work on the pieces for Goldlay in Chelmsford. The shadows and their relationship to the objects are really dynamic and have emerged even better than I had hoped.

thefirstmechanicalcut

After much learning with illustrator the lazer cutting tests for the Goldlay Square commission look good - really pleased with how the references have become heightened - the  images of books opening and cell structures 'pop' out of the design. Also when you have a physical thing rather than the digital you really get a sense of the scale. Other physical aspects of its materiality become obvious such as how the design creates excellent shadows.

tessellationtessellationtessellation

Spent the day focused on building Penrose tessellations for the Goldlay Square commission. Working with illustrator to create vector drawings that combine the history of the site - the cell like structures that come from the seed/growth/allotment reference and the open book structures that are derived from the book repository and printers. I really like that the more one looks at the design one can see patterns within patterns and the negative spaces provide a place of play.