Working on a new approach to creating 3D prints. Looking
at the structural opportunities available when exploring fill without creating
surfaces. I was struck by the intriguing imagery created when working with the software
that you use to create the structures, ready to be printed. I use a combination
of
SketchUp, 3D printer and PrusaSlicer, this is then
worked on in Photoshop. Using PrusaSlicer, as an image generator rather
than just the software to make 3D prints. The images created explore the
liminal space of the 3D experience – the image, the object, and the image of
the object. It’s both there and not there. An afternoon of breathing in – 3 shows
in London full of stuff all piled up but for different reasons – Keifer at
White cube – piles of so much stuff piled very high and culled from a
gigantic archive seemingly without much editing, Ibon Aranberri at Raven
Row – piles of stuff, carefully organised after being shown in a different configuration
elsewhere. RESOLVE Collective at the Curve Barbican – piles of
stuff, piled up after the artist’s felt disparaged by the systems the work sat
within. 3 piles of stuff all piled up but for different reasons. Onto screens - Master gardener – theatrical
slightly all-over the place. Beau is afraid – a terrifying insight into a
terrified mind. Was about to give up on Barry around the beginning of
season 2 when the blood and brutality was getting all too much but so glad to of
worked through that as season 4 was gloriously excellent – the tonal shift from
dark humour to almost cartoon was genius and the culmination in episode 8 was
so clever, the writing had me unsure of everything as the story spun off into
several realities, often at once.
