Wednesday, 25 February 2026

ongoinglookingforward

Looking forward to next week, at Norwich, delivering a new project to year 2 and working with my friend Liz from the National. Another week taking people to the show at Snape and with each iteration of this activity I learn more about the work I have been making over the past year. Some people want me to explicit about the reasoning behind the work, explaining as if an activist, which I am not. Applied to be part of a conference (see below) we shall see what comes of it. Sizewell C is a building without geographic specify. Its structure is like that of others across the globe, its conception and construction at no point addresses the essential Suffolk space it will reside in. The shapes designed and the industrial nature of the materials used bare no connection to the landscape, a space which was seen by its designers as a blank canvas, it was envisaged as this and it has become a non-space, a concept conceived all be it within the concept of architecture by Marc Augé. Control and ownership of this land is now tightly controlled. Fenced and patrolled the public can no longer enter, humans that do are subjected to a vast barrage of rules and systems. My first work as artist in residence was to look at maps, created by SZC and to cut out these controlled spaces, leaving negative shapes. I have made scale models derived from official plans that in the hand become toys or gifts. This was initially a way of engaging with the vast complexity and sheer scale of the project that is SZC. But I have come to understand the power of the model as an idea itself and its function within the design world as a tool of visualisation but also its awe. popped in to see Conceptual Art and Christine Kozlov at Raven Row - truly challenging wonderful work. Onto screens – the last episode of Industry left everything on the table or maybe under it.