Monday, 21 October 2019

breathingin


After Ron Athey's show at Norwich Arts Center I'm ready for a 'breathing in' day in London - time to check out a few spaces on the way to a night out in Peckham. 180 The Strand has United Visual Artists doing their thing with lights, lazers and smoke, which is good but in the same building is Transformer a rebirth of wonder - a huge sprawling, mixed show throughout the building, transforming a range of spaces but always giving the viewer a sense of discovering the bowels of the building. Doug Aitken’s room is a stand out piece, truly mesmerising - 3 projections in a room of mirrors play with the mobile phone and its associated imagery. Jenn Nkiru’s film Rebirth stunning - great music and editing - her presentation of a black experience is outstanding. Danh Vo at Marion Goodman looks straightforward enough but has many surprises, it’s simplicity belies many possible narratives and references so much - my school woodworking bench created in hard wood was a surprising 'time-travel' revelation. Frith street Gallery has some beautiful images of archives by Dayanita Singh within some interesting structures. Mark Lecky’s homage to youth culture continues under a bridge at Tate Britain - it’s important to see the whole cycle of the work so give yourself time - it’s worth it. Jonah Freeman and Justin Lowe at Marlborough is a bit like a post apocalyptic, sci-art, psychedelic Mike Nelson - it fills and occupies the numerous rooms throughout the 4 floors of the building - unsure what it was about but it was most enjoyable. Damien Hirst at Whitecube was a little like expensive interior design - pretty but lacking in context or meaning - the sort of art the Roy family might buy - reference to Succession
Shobana Jeyasingh Dance's Staging Schiele at the dance house in Ipswich was a mixed bag - somewhat over staged with a range of visual languages that clashed and seemed to make little sense - but the dance itself was dark and thrilling - some superbly challenging movements and great costumes that seemed to bring to life the fluid and transparent nature of Egon Schiele's paintings.