turn the page was a great success – I spent much of the time
talking with Tanya Peixoto of the
bookartbookshop and eventually gave her all my ‘stock’ to sell in the book shop
– so if you are passing – pop in and see what she has. http://www.bookartbookshop.com/
Its that time again - reading the research reports for the MA Book
Arts at Camberwell - the titles give an indication of the breadth of issues and
research strands that the students are engaged in. As ever there are some
wonderfully insightful moments that challenge or support notions held within
your own practice.
Material in book arts: exploring the relation between material and the body of artist books
Repetition in Artists' Books
How have the foundations of Collage influenced the Assemblage of Book Art?
Variable readings: A throw of the dice will never abolish chance.
"How frame and time work as a tool to depict the landscape"
Material in book arts: exploring the relation between material and the body of artist books
Repetition in Artists' Books
How have the foundations of Collage influenced the Assemblage of Book Art?
Variable readings: A throw of the dice will never abolish chance.
"How frame and time work as a tool to depict the landscape"
FORGETFUL MEMORY, UNREADABLE BOOKS.
Diary as
Art: exploring Dieter Roth’s diary works in relation to Fluxus
How are the formal and structural elements of the comic book
utilised by creator and reader in the construction of time?
The
interplay of movement and bookstructure: movements interplay with book
structures in relation to readers by comparing Ed Rusha’s Every Building on the
building on the Sunset Strip and Stephanie Ognar’s Flip Book Bath
The
Physically of the Book, The Richness of Reading Experience
How the content of Keith Smith’s Snow Job and Susan King’s Lessons
from the South are enriched by creating the text’s visual form on typography
and book structure
Quality abstract
in photography exploring the photos in Paris shot by William Eggleston
regarding the notion of Geometric abstract painting
Memory
and Memorial – an evaluation of their relationship with the textile object.
Paper
Fanzines: Nostalgia for Golden Ages of Rock Music, or a Quest for Authenticity?
What drives modern music fan to reach for increasingly obsolete tangible media
forms?
How
are the issues of ‘place, voice and subject’ more successfully communicated in
Get Here (Imogen Stidworthy, 2006) through focusing on the participatory nature
of the work?
How
does the inclusion of text add to the narrative dimensions of photography?
Looking at the work of Clarissa Sligh, Duane Michals and Shirin Neshat.
Marching
Backwards into the future. Or why does McLuhan, Flore and Agels’s The medium is the massage feel so now?
