on thursday it's my last day in London for this year with the opening of the penultimate
MA Book Art exhibition at Camberwell on Thursday. OCA is on a break till September
and I have 2 days to go at nua - I'm looking forward to a break and to work in the studio - started today by
working on Transference for @halesworthgall - the small project has turned into
a number of strands all connected with unknowing, the breaking down of text so
that it loses its specific meaning but still talks of text, typography, words
and the potential for communication.
Tuesday, 9 July 2019
meaningfultext
Labels:
@haleswothgall,
art,
book art,
camberwell,
exhibition,
paul cope,
transference,
typography
Tuesday, 2 July 2019
justwhereileftit
Venice felt like it was just where I left it -
returning again for the Biennale and 3 intense days of 'art looking' the
anticipation is huge but this year was one of the best in terms of the work.
The heat meant lots of stops for reflection and refreshment which makes it a
richer experience. The Pavilions were strong with some real standouts - Latvia,
Australia, Nordic, Poland and Japan will stay with me for a long time. The curated
show in the Arsenale was stunning - I felt held by the thinking behind the
works, wonderful links were made between the incredible artworks all presented within
a wooden structure that allowed for space and showed the work off really well.
a quick review of it all starting with the national pavilions ........Swiss -
film backwards is always good - Venezuela - Facebook masks - Russia -
mechanical son - Japan - ethereal mystic egg - Korea- dancers out of place -
German - constructed rocks - Canada - Inuit issues - England- artschool
meaningful tropes - France - trippy boho - check/Slovak - old school geometry-
Uruguay - scattered moments - Australia - power behind and in front - Nordic-
organic digital - Denmark - sci-fi death - America - tasteful americana -
Hungary photographing imagined cameras - Israel - medicalisation of abuse -
Brazil - dance dance dance - Austria - old fashioned porno - Serbia - 1982
again - Egypt - I once saw a picture of Egyptian stuff so I made some stuff -
Poland - total mind fuck - Romania - unfinished who cares - Greece - what - Holland
- measuring sticks - Finland - growing simplicity - Belgium - mechanical folk
weirdness - Spain - unseen spaces between - Lithuania- sublime beach opera -
Albania - sci-fi chrome dystopia - Antigua - carnival explained - Azerbaijan -
truth lies - Bosnia - possible possibilities - China - water and disturbing
morf - Croatia - beautiful background images of desolation - Georgia - taps
water and meaningless bathrooms - India - Gandhi is important - Ireland - some
materials - Italy - annoying maze - Kosovo - incredible stories told incredibly
- Latvia - colourful materials - Luxembourg - a wall of wet books - Madagascar
- tissue layers like mountains - Peru - uncomfortable images of lady bugs -
Philippines - standing on glass for Instagram - Wales - disparate objects still
disparate - Saudi Arabia - lots and lots and lots of seed pods - Singapore -
stunning folded graphic scores for recorders - Slovenia - military tracking -
Ukraine - wonderful shadow idea - UAE - a narrative can have 2 sides - Hong
Kong - delicate balanced craft - Zimbabwe - yet more disagreements - Individual
artists who had work in the Arsenale and stood out included the war film of Christian Marclay - Tavares Stachan’s neon skeleton - I saw
Ed Atkins at Cabinet last year but
it was good to revisit - Liu Wei’s
shaking windows of protest - the slow comic burn of Alex Da Corte and his disturbing videos - the data overload of Ryoki Ikeda - the sad disturbing walls
of Rula Halawani - gorgeous calm
dancing weaves of Suki Seokyeong Kang
- Christine and Margaret Wertheim’s
crochet coral - Jon Rafmans
disturbing dystopia vision of something or someplace - the quiet rebellious
work of Frida Orupabo - liminal
power abused by the military exposed by Lawrence
Abu Hamadan - the extraordinary commentary of a black experience through BLKNEWS
by Kahlil Joseph, the staged
photography of Stan Douglas - the
whipping chair and blood machine of Sun
Yuan & Peng Yu - playful Tarek
Atoui playing ceramics - Collateral Events included The Death of James Lee
Byars - lots of gold leaf - Future Generation Art Prize, which had the mind and
body twisted work by Jakob Steensen,
quite possibly the most disorientating VR I’ve experienced - FutuaRoma had a stunningly
thoughtful animation and free wild seeds - the oppressive 3x3x6 looked at
ownership of data - Living Rocks was an incredibly precise 20m projection, From
image to shape presented the intriguing Arte povera work of Pino Pascali and ending the 'art
looking' at the glorious Punta Della Dogana for the superbly curated Luogo e
Segni show of very special work in a very special space - I just love the
concrete of Tao Dao so - until
2021 - already looking forward to it.
Labels:
art,
exhibition,
exhibition recommendations,
venice,
Venice Biennale
Wednesday, 26 June 2019
seeingthelight
has the world gone mad - or is it
just sad? found this at Peterborough train station - it is a real thing -
anyway another way of dealing with the public is trust - which was much in
evidence at the free, un-gated festival in Lowestoft.
First light was a thing - Talvin
Singh at 4:00 in the morning - playing in the dawn sunrise was very special
but Circadian by Rosie Lee was the real highlight - it
consisted of 24 on the hour 10 minute pieces. Each time it was the same movement
and sound but the dancers were different, the age of the dancers grew
throughout the 24 hours. I think I managed to see about 10 ish - it was
tremendously moving - the security of similarity enabled the mind to be flooded
with ideas about life, rhythms, death. The poignancy of the subtle differences
of the dancers movements brought tears to the eyes. The piece growing and
changing with each iteration.
The sound was so haunting Isaac
Lee-Kronick who was there the whole time playing live was a star.
The film will be great - I hope
there is a version where all the dancers
blend into each other over a 10 minute period. The
exhibition Print
Matters in Poland organised by Majka Dokudowicz and Mariusz Gorzelak at the Eugeniusz Geppert Academy of Fine Art and
Design, Wrocław has just closed -
I had a piece in the show as it was made up of work from The University of the
West of England's collection
Meanwhile on the way to New Designers to hang the NUA Textile
Design stand - there is always a sense of full-onness when attending - so many
hopes and dreams crushed into such a small hot space.
Thursday, 20 June 2019
itsthattimeoftheyear
well the second
exhibition I have been part of this season is finished - the Textile Design BA show
at NUA looks good - some great bold images and detailed material manipulation -
it opens on Monday night, although I will be at New Designers putting up the
third show. Meanwhile plans for the forth, the Book Art MA at Camberwell are
underway. We start building next Tuesday. This time of year is full of possibilities.
Having a
week in a hotel in Barnsley meant that I caught up with all the latest Netflix
offerings - Always be my Maybe - surprise,
it all come right in the end............ Murder
Mystery - fun, of a kind............
Sunday, 16 June 2019
itsbeenalongweek
well - its
been a full week in Barnsley - hanging the third year show and assessing all
three years of the MA for the Open College of the Arts. It's always a full on
experience but highly enjoyable with tight deadlines. Meeting people whose lives you have been linked with for 3 years for the first time in the flesh is a wondrously odd experience - it is one of the joys of the job, connecting with the familiar. 4 mini collections of
images - hanging, close ups, the work and the private view. looking forward to
East Anglia after the dress code and the delicacies on offer in the market -
what and whose pets have they chopped up?
Tuesday, 4 June 2019
theaterchangesyou
a
weekend of theater - Pulse in Ipswich
was full of possibilities - it is such a life affirming experience to watch
young people getting on with it. For me the stage is a space where human vulnerability
is turned upside down. https://www.wolseytheatre.co.uk/pulse-festival/
For years I preferred cinema where I
didn't have to worry about people in front of me but through attending festivals
like Pulse (where I saw 24 shows in
2 days) I have come to realise that the human exchange is the point - the fear of
failure or more like the sharing of humanity is all part of the experience. It
is still on and I recommend trusting the organisers China Plate and Wolsey Theater in Ipswich https://www.chinaplatetheatre.com/projects
and dropping in to see something that will change you https://www.wolseytheatre.co.uk/
Whitecube in Bermondsey
has Sarah Morris paintings but the film Finite and Infinite Games (2017),
was the highlight for me - so much so I will be returning. Titled after novel
by James P. Carse, the film was shot
in Herzog & de Meuron’s extraordinary
Elbphilharmonie concert hall in Hamburg. Polymath Alexander Kluge is in it and is somebody I have to find out more
about.
Teaching wise I am in the glorious storm of
assessing, hanging, exhibitions, lists and general problem solving. It's a
great time to be alive - I love this time of year, of decision making and possibilities
for the future.
Monday, 27 May 2019
newspacesandnewwork
In
between the busy time of assessing and creating exhibitions as part of my
teaching duties I've been working on the second iteration of knowwhere, the miniature
space within the studio. This is a series of works based on the structures that
support works within museums. Meanwhile some exhibitions - Mike Nelson's poignant display at Tate Britain https://www.tate.org.uk/whats-on/tate-britain/exhibition/mike-nelson Joanna
Piotrowska's extraordinary photographs at Tate Britian https://www.tate.org.uk/whats-on/tate-britain/exhibition/joanna-piotrowska Kate
Coopers formidable videos at the Hayward https://www.southbankcentre.co.uk/blog/interview-artist-kate-cooper
Us https://www.imdb.com/title/tt6857112/
was truly disturbing, a dark tale of slavery and oppression in a capitalist
world. Catch 22 https://www.imdb.com/title/tt5056196/was
another study of capitalism, another form of control. Less than a week to go to
Pulse at The Wolsey in Ipswich - so
much theatre in two days - scratch day and suitcase day are upon us https://www.wolseytheatre.co.uk/brochures/pulse-festival-2019/
suitcase day is such a great idea - having to bring all props for the show on
public transport in a suitcase.
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